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#author("2022-03-27T11:28:25+00:00;2015-12-17T08:47:20+00:00","","") #include(CROSS×BEATS/Contents,notitle) #contentsx(depth=1:2); *レベル見直し一覧 [#xa325e42] -2015/12/17で見直しの対象となっているのはNo.1～50の範囲です -ノート数の変化がないものは譜面が変わっていても、そのことを特に記載していません --実際には、ノート数の変化がなくてもかなりの割合で譜面の修正が行われているようです --リズムの修正程度ではない根本的な変更も数多く入っています --実際には、ノート数の変化がなくてもかなりの割合で譜面の修正が行われています --リズムの修正程度ではない、根本的な改作とでも呼ぶべき変更も数多く入っています --「REV.仕様」とも呼ばれることがある、45度単位でない傾きのガイドラインが多数盛り込まれました |~#|~タイトル|~BPM|~STD|~HRD|~MAS|備考|h |CENTER:25|LEFT:180|CENTER:50|CENTER:STYLE(chart_std):80|CENTER:STYLE(chart_hrd):80|CENTER:STYLE(chart_mas):80|LEFT:170|c |~1|Wanna Be Your Special|137|8&br();(89)|20 → &span(chart_different){23};&br();(163)|34 → &span(chart_different){40};&br();(230)|| |~2|Touch Of Gold|125|9&br();(94)|22 → &span(chart_different){28};&br();(199)|36 → &span(chart_different){44};&br();(276)|| |~3|雨の音が虹を呼ぶ|160|12&br();(91 → &span(chart_different){92};)|26&br();(183 → &span(chart_different){203};)|41 → &span(chart_different){47};&br();(262 → &span(chart_different){303};)|| |~4|キミとMUSIC|162|10&br();(85)|24 → &span(chart_different){26};&br();(175)|40 → &span(chart_different){49};&br();(326)|| |~5|Landing on the moon|138|18 → &span(chart_different){26};&br();(148 → &span(chart_different){163};)|27 → &span(chart_different){33};&br();(210 → &span(chart_different){225};)|37 → &span(chart_different){49};&br();(297 → &span(chart_different){308};)|| |~6|Aqualight|136|14 → &span(chart_different){16};&br();(122)|33 → &span(chart_different){34};&br();(258)|52 → &span(chart_different){58};&br();(378)|| |~7|Wanyo Wanyo|120|12 → &span(chart_different){14};&br();(132)|30 → &span(chart_different){33};&br();(233 → &span(chart_different){234};)|47 → &span(chart_different){56};&br();(331 → &span(chart_different){344};)|| |~8|Lotus Love|140|17 → &span(chart_different){20};&br();(173)|35 → &span(chart_different){36};&br();(249)|62 → &span(chart_different){64};&br();(358)|| |~9|Dirty Mouth|128|12 → &span(chart_different){15};&br();(137)|25 → &span(chart_different){28};&br();(242)|50 → &span(chart_different){59};&br();(360 → &span(chart_different){387};)|| |~10|ホントのワタシ|130|11 → &span(chart_different){12};&br();(91)|24 → &span(chart_different){26};&br();(164)|48 → &span(chart_different){53};&br();(295)|| |~11|Jahacid|125|13 → &span(chart_different){17};&br();(115 → &span(chart_different){126};)|29&br();(192 → &span(chart_different){206};)|51 → &span(chart_different){59};&br();(240 → &span(chart_different){336};)|| |~12|Break Your World|175|21 → &span(chart_different){23};&br();(172 → &span(chart_different){175};)|32 → &span(chart_different){34};&br();(262)|59 → &span(chart_different){67};&br();(416 → &span(chart_different){488};)|| |~13|What Is Wrong With The World|172|24 → &span(chart_different){26};&br();(223)|38&br();(316 → &span(chart_different){320};)|56 → &span(chart_different){62};&br();(424 → &span(chart_different){446};)|| |~14|Binary Overdrive|190|15 → &span(chart_different){19};&br();(147)|34 → &span(chart_different){39};&br();(277)|64&br();(458 → &span(chart_different){459};)|| |~15|Break down|170-182&br();→ &span(chart_different){182};|23&br();(178)|35&br();(266 → &span(chart_different){272};)|59&br();(333 → &span(chart_different){339};)|REV.移植時もBPM変化なしに| |~16|Hi|83|13 → &span(chart_different){19};&br();(132)|28 → &span(chart_different){30};&br();(173)|58&br();(286 → &span(chart_different){296};)|| |~17|Otherside|132|14 → &span(chart_different){19};&br();(143 → &span(chart_different){145};)|31 → &span(chart_different){35};&br();(206 → &span(chart_different){209};)|56 → &span(chart_different){58};&br();(318 → &span(chart_different){344};)|| |~18|Freak With Me|130|20 → &span(chart_different){22};&br();(171 → &span(chart_different){180};)|42&br();(332 → &span(chart_different){342};)|56 → &span(chart_different){65};&br();(390 → &span(chart_different){455};)|| |~19|未確認XX生命体|150|14 → &span(chart_different){19};&br();(143)|27 → &span(chart_different){31};&br();(223 → &span(chart_different){231};)|45 → &span(chart_different){54};&br();(341 → &span(chart_different){378};)|| |~20|Loveless|123|17 → &span(chart_different){23};&br();(162 → &span(chart_different){164};)|33 → &span(chart_different){38};&br();(294 → &span(chart_different){301};)|53 → &span(chart_different){60};&br();(406 → &span(chart_different){409};)|| |~21|Giant Killing|140|25&br;(177)|53&br();(339)|68 → &span(chart_different){71};&br();(481)|| |~22|The Epic|163|15 → &span(chart_different){17};&br();(149)|38 → &span(chart_different){40};&br();(283 → &span(chart_different){284};)|60&br();(419 → &span(chart_different){421};)|| |~23|Anomie|144|17 → &span(chart_different){20};&br();(187 → &span(chart_different){191};)|30 → &span(chart_different){36};&br();(240 → &span(chart_different){248};)|56 → &span(chart_different){61};&br();(315 → &span(chart_different){349};)|| |~24|Azitate|152|22 → &span(chart_different){24};&br();(204)|55&br();(329)|70&br();(536)|| |~25|Impact|138|21 → &span(chart_different){24};&br();(192)|60&br();(397)|72&br();(540)|| |~26|最後の1ページ|127|14 → &span(chart_different){19};&br();(154)|27 → &span(chart_different){31};&br();(240)|53 → &span(chart_different){57};&br();(318 → &span(chart_different){358};)|| |~27|Cross+Angel|166|21 → &span(chart_different){27};&br();(171 → &span(chart_different){178};)|51 → &span(chart_different){53};&br();(310 → &span(chart_different){319};)|67&br();(431 → &span(chart_different){457};)|| |~28|DAZZLING♡SEASON|180|35 → &span(chart_different){43};&br();(250)|62&br();(412)|80&br();(562)|| |~29|NEXT FRONTIER|150|42 → &span(chart_different){48};&br();(352 → &span(chart_different){363};)|65&br();(509 → &span(chart_different){513};)|82&br();(574)|| |~30|Azitate&br();(Prologue Edition)|152|20 → &span(chart_different){23};&br();(143)|52&br();(275)|61 → &span(chart_different){66};&br();(353 → &span(chart_different){377};)|| |~31|Landing on the moon&br();(Instrumental Version)|138|18 → &span(chart_different){20};&br();(140 → &span(chart_different){142};)|32 → &span(chart_different){34};&br();(211 → &span(chart_different){217};)|55 → &span(chart_different){59};&br();(306 → &span(chart_different){318};)|| |~32|DYNAMITE SENSATION|150|25 → &span(chart_different){26};&br();(176)|53 → &span(chart_different){54};&br();(276)|68&br();(388)|| |~33|DIAMOND SKIN|142|10&br();(73 → &span(chart_different){74};)|17 → &span(chart_different){26};&br();(109)|25 → &span(chart_different){33};&br();(187)|| |~34|everKrack|158|15 → &span(chart_different){18};&br();(172)|27 → &span(chart_different){29};&br();(204)|41&br();(355 → &span(chart_different){357};)|| |~35|誘惑|179|13 → &span(chart_different){15};&br();(132 → &span(chart_different){137};)|21 → &span(chart_different){26};&br();(189 → &span(chart_different){193};)|34 → &span(chart_different){43};&br();(254 → &span(chart_different){345};)|| |~36|JUSTICE [from] GUILTY|178|15&br();(110)|28&br();(183)|40 → &span(chart_different){50};&br();(300)|| |~37|Winter, again|114|14&br();(121)|18 → &span(chart_different){24};&br();(145 → &span(chart_different){161};)|37 → &span(chart_different){41};&br();(264 → &span(chart_different){284};)|| |~38|Eternally|88|12&br();(85)|18 → &span(chart_different){21};&br();(125)|33 → &span(chart_different){39};&br();(193)|| |~39|エアリアル|165|11 → &span(chart_different){12};&br();(63)|28&br();(149 → &span(chart_different){166};)|56&br();(389)|| |~40|What Is Wrong With The World&br();(Cross Edit)|172|20&br();(86)|41 → &span(chart_different){43};&br();(228)|64 → &span(chart_different){67};&br();(356)|| |~41|Re:Milky way|142|8 → &span(chart_different){13};&br();(77)|26&br();(192)|43 → &span(chart_different){46};&br();(317)|| |~42|Sundrop|150|24&br();(126)|45 → &span(chart_different){47};&br();(226)|73 → &span(chart_different){75};&br();(441)|| |~43|チルドレン・オートマトン&br();～ある歌声の亡霊～|170|24&br();(133)|41&br();(181)|57&br();(292)|| |~44|ツカイステ・デッドワールド|130|19 → &span(chart_different){21};&br();(145)|44&br();(268 → &span(chart_different){276};)|74&br();(504)|| |~45|電脳少女は歌姫の夢を見るか?|240|29&br();(129)|57&br();(328)|76&br();(488)|| |~46|Reseed|201|20 → &span(chart_different){22};&br();(122)|47&br();(254)|63&br();(450)|| |~47|ロマンシングゲーム|210|28&br();(221)|55&br();(379)|78 → &span(chart_different){81};&br();(595)|| |~48|Another Chance|174|27&br();(132)|37&br();(195)|57 → &span(chart_different){73};&br();(389 → &span(chart_different){519};)|| |~49|HEADPHONE PARTY|152|23 → &span(chart_different){24};&br();(141)|32&br();(217)|52&br();(372)|| |~50|Z[i]|185|28 → &span(chart_different){30};&br();(171 → &span(chart_different){216};)|45 → &span(chart_different){57};&br();(227 → &span(chart_different){330};)|86 → &span(chart_different){88};&br();(542)||
