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#author("2022-03-27T11:28:25+00:00;2015-12-17T08:47:20+00:00","","")
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*レベル見直し一覧 [#xa325e42]
-2015/12/17で見直しの対象となっているのはNo.1~50の範囲です
-ノート数の変化がないものは譜面が変わっていても、そのことを特に記載していません
--実際には、ノート数の変化がなくてもかなりの割合で譜面の修正が行われているようです
--リズムの修正程度ではない根本的な変更も数多く入っています
--実際には、ノート数の変化がなくてもかなりの割合で譜面の修正が行われています
--リズムの修正程度ではない、根本的な改作とでも呼ぶべき変更も数多く入っています
--「REV.仕様」とも呼ばれることがある、45度単位でない傾きのガイドラインが多数盛り込まれました

|~#|~タイトル|~BPM|~STD|~HRD|~MAS|備考|h
|CENTER:25|LEFT:180|CENTER:50|CENTER:BGCOLOR(#ccffcc):80|CENTER:BGCOLOR(#ffffcc):80|CENTER:BGCOLOR(#ffcccc):80|LEFT:170|c
|~1|Wanna Be Your Special|137|8&br();(89)|20 → &color(red){''23''};&br();(163)|34 → &color(red){''40''};&br();(230)||
|~2|Touch Of Gold|125|9&br();(94)|22 → &color(red){''28''};&br();(199)|36 → &color(red){''44''};&br();(276)||
|~3|雨の音が虹を呼ぶ|160|12&br();(91 → &color(red){''92''};)|26&br();(183 → &color(red){''203''};)|41 → &color(red){''47''};&br();(262 → &color(red){''303''};)||
|~4|キミとMUSIC|162|10&br();(85)|24 → &color(red){''26''};&br();(175)|40 → &color(red){''49''};&br();(326)||
|~5|Landing on the moon|138|18 → &color(red){''26''};&br();(148 → &color(red){''163''};)|27 → &color(red){''33''};&br();(210 → &color(red){''225''};)|37 → &color(red){''49''};&br();(297 → &color(red){''308''};)||
|~6|Aqualight|136|14 → &color(red){''16''};&br();(122)|33 → &color(red){''34''};&br();(258)|52 → &color(red){''58''};&br();(378)||
|~7|Wanyo Wanyo|120|12 → &color(red){''14''};&br();(132)|30 → &color(red){''33''};&br();(233 → &color(red){''234''};)|47 → &color(red){''56''};&br();(331 → &color(red){''344''};)||
|~8|Lotus Love|140|17 → &color(red){''20''};&br();(173)|35 → &color(red){''36''};&br();(249)|62 → &color(red){''64''};&br();(358)||
|~9|Dirty Mouth|128|12 → &color(red){''15''};&br();(137)|25 → &color(red){''28''};&br();(242)|50 → &color(red){''59''};&br();(360 → &color(red){''387''};)||
|~10|ホントのワタシ|130|11 → &color(red){''12''};&br();(91)|24 → &color(red){''26''};&br();(164)|48 → &color(red){''53''};&br();(295)||
|~11|Jahacid|125|13 → &color(red){''17''};&br();(115 → &color(red){''126''};)|29&br();(192 → &color(red){''206''};)|51 → &color(red){''59''};&br();(240 → &color(red){''336''};)||
|~12|Break Your World|175|21 → &color(red){''23''};&br();(172 → &color(red){''175''};)|32 → &color(red){''34''};&br();(262)|59 → &color(red){''67''};&br();(416 → &color(red){''488''};)||
|~13|What Is Wrong With The World|172|24 → &color(red){''26''};&br();(223)|38&br();(316 → &color(red){''320''};)|56 → &color(red){''62''};&br();(424 → &color(red){''446''};)||
|~14|Binary Overdrive|190|15 → &color(red){''19''};&br();(147)|34 → &color(red){''39''};&br();(277)|64&br();(458 → &color(red){''459''};)||
|~15|Break down|170-182&br();→ &color(red){''182''};|23&br();(178)|35&br();(266 → &color(red){''272''};)|59&br();(333 → &color(red){''339''};)|REV.移植時もBPM変化なしに|
|~16|Hi|83|13 → &color(red){''19''};&br();(132)|28 → &color(red){''30''};&br();(173)|58&br();(286 → &color(red){''296''};)||
|~17|Otherside|132|14 → &color(red){''19''};&br();(143 → &color(red){''145''};)|31 → &color(red){''35''};&br();(206 → &color(red){''209''};)|56 → &color(red){''58''};&br();(318 → &color(red){''344''};)||
|~18|Freak With Me|130|20 → &color(red){''22''};&br();(171 → &color(red){''180''};)|42&br();(332 → &color(red){''342''};)|56 → &color(red){''65''};&br();(390 → &color(red){''455''};)||
|~19|未確認XX生命体|150|14 → &color(red){''19''};&br();(143)|27 → &color(red){''31''};&br();(223 → &color(red){''231''};)|45 → &color(red){''54''};&br();(341 → &color(red){''378''};)||
|~20|Loveless|123|17 → &color(red){''23''};&br();(162 → &color(red){''164''};)|33 → &color(red){''38''};&br();(294 → &color(red){''301''};)|53 → &color(red){''60''};&br();(406 → &color(red){''409''};)||
|~21|Giant Killing|140|25&br;(177)|53&br();(339)|68 → &color(red){''71''};&br();(481)||
|~22|The Epic|163|15 → &color(red){''17''};&br();(149)|38 → &color(red){''40''};&br();(283 → &color(red){''284''};)|60&br();(419 → &color(red){''421''};)||
|~23|Anomie|144|17 → &color(red){''20''};&br();(187 → &color(red){''191''};)|30 → &color(red){''36''};&br();(240 → &color(red){''248''};)|56 → &color(red){''61''};&br();(315 → &color(red){''349''};)||
|~24|Azitate|152|22 → &color(red){''24''};&br();(204)|55&br();(329)|70&br();(536)||
|~25|Impact|138|21 → &color(red){''24''};&br();(192)|60&br();(397)|72&br();(540)||
|~26|最後の1ページ|127|14 → &color(red){''19''};&br();(154)|27 → &color(red){''31''};&br();(240)|53 → &color(red){''57''};&br();(318 → &color(red){''358''};)||
|~27|Cross+Angel|166|21 → &color(red){''27''};&br();(171 → &color(red){''178''};)|51 → &color(red){''53''};&br();(310 → &color(red){''319''};)|67&br();(431 → &color(red){''457''};)||
|~28|DAZZLING♡SEASON|180|35 → &color(red){''43''};&br();(250)|62&br();(412)|80&br();(562)||
|~29|NEXT FRONTIER|150|42 → &color(red){''48''};&br();(352 → &color(red){''363''};)|65&br();(509 → &color(red){''513''};)|82&br();(574)||
|~30|Azitate&br();(Prologue Edition)|152|20 → &color(red){''23''};&br();(143)|52&br();(275)|61 → &color(red){''66''};&br();(353 → &color(red){''377''};)||
|~31|Landing on the moon&br();(Instrumental Version)|138|18 → &color(red){''20''};&br();(140 → &color(red){''142''};)|32 → &color(red){''34''};&br();(211 → &color(red){''217''};)|55 → &color(red){''59''};&br();(306 → &color(red){''318''};)||
|~32|DYNAMITE SENSATION|150|25 → &color(red){''26''};&br();(176)|53 → &color(red){''54''};&br();(276)|68&br();(388)||
|~33|DIAMOND SKIN|142|10&br();(73 → &color(red){''74''};)|17 → &color(red){''26''};&br();(109)|25 → &color(red){''33''};&br();(187)||
|~34|everKrack|158|15 → &color(red){''18''};&br();(172)|27 → &color(red){''29''};&br();(204)|41&br();(355 → &color(red){''357''};)||
|~35|誘惑|179|13 → &color(red){''15''};&br();(132 → &color(red){''137''};)|21 → &color(red){''26''};&br();(189 → &color(red){''193''};)|34 → &color(red){''43''};&br();(254 → &color(red){''345''};)||
|~36|JUSTICE [from] GUILTY|178|15&br();(110)|28&br();(183)|40 → &color(red){''50''};&br();(300)||
|~37|Winter, again|114|14&br();(121)|18 → &color(red){''24''};&br();(145 → &color(red){''161''};)|37 → &color(red){''41''};&br();(264 → &color(red){''284''};)||
|~38|Eternally|88|12&br();(85)|18 → &color(red){''21''};&br();(125)|33 → &color(red){''39''};&br();(193)||
|~39|エアリアル|165|11 → &color(red){''12''};&br();(63)|28&br();(149 → &color(red){''166''};)|56&br();(389)||
|~40|What Is Wrong With The World&br();(Cross Edit)|172|20&br();(86)|41 → &color(red){''43''};&br();(228)|64 → &color(red){''67''};&br();(356)||
|~41|Re:Milky way|142|8 → &color(red){''13''};&br();(77)|26&br();(192)|43 → &color(red){''46''};&br();(317)||
|~42|Sundrop|150|24&br();(126)|45 → &color(red){''47''};&br();(226)|73 → &color(red){''75''};&br();(441)||
|CENTER:25|LEFT:180|CENTER:50|CENTER:STYLE(chart_std):80|CENTER:STYLE(chart_hrd):80|CENTER:STYLE(chart_mas):80|LEFT:170|c
|~1|Wanna Be Your Special|137|8&br();(89)|20 → &span(chart_different){23};&br();(163)|34 → &span(chart_different){40};&br();(230)||
|~2|Touch Of Gold|125|9&br();(94)|22 → &span(chart_different){28};&br();(199)|36 → &span(chart_different){44};&br();(276)||
|~3|雨の音が虹を呼ぶ|160|12&br();(91 → &span(chart_different){92};)|26&br();(183 → &span(chart_different){203};)|41 → &span(chart_different){47};&br();(262 → &span(chart_different){303};)||
|~4|キミとMUSIC|162|10&br();(85)|24 → &span(chart_different){26};&br();(175)|40 → &span(chart_different){49};&br();(326)||
|~5|Landing on the moon|138|18 → &span(chart_different){26};&br();(148 → &span(chart_different){163};)|27 → &span(chart_different){33};&br();(210 → &span(chart_different){225};)|37 → &span(chart_different){49};&br();(297 → &span(chart_different){308};)||
|~6|Aqualight|136|14 → &span(chart_different){16};&br();(122)|33 → &span(chart_different){34};&br();(258)|52 → &span(chart_different){58};&br();(378)||
|~7|Wanyo Wanyo|120|12 → &span(chart_different){14};&br();(132)|30 → &span(chart_different){33};&br();(233 → &span(chart_different){234};)|47 → &span(chart_different){56};&br();(331 → &span(chart_different){344};)||
|~8|Lotus Love|140|17 → &span(chart_different){20};&br();(173)|35 → &span(chart_different){36};&br();(249)|62 → &span(chart_different){64};&br();(358)||
|~9|Dirty Mouth|128|12 → &span(chart_different){15};&br();(137)|25 → &span(chart_different){28};&br();(242)|50 → &span(chart_different){59};&br();(360 → &span(chart_different){387};)||
|~10|ホントのワタシ|130|11 → &span(chart_different){12};&br();(91)|24 → &span(chart_different){26};&br();(164)|48 → &span(chart_different){53};&br();(295)||
|~11|Jahacid|125|13 → &span(chart_different){17};&br();(115 → &span(chart_different){126};)|29&br();(192 → &span(chart_different){206};)|51 → &span(chart_different){59};&br();(240 → &span(chart_different){336};)||
|~12|Break Your World|175|21 → &span(chart_different){23};&br();(172 → &span(chart_different){175};)|32 → &span(chart_different){34};&br();(262)|59 → &span(chart_different){67};&br();(416 → &span(chart_different){488};)||
|~13|What Is Wrong With The World|172|24 → &span(chart_different){26};&br();(223)|38&br();(316 → &span(chart_different){320};)|56 → &span(chart_different){62};&br();(424 → &span(chart_different){446};)||
|~14|Binary Overdrive|190|15 → &span(chart_different){19};&br();(147)|34 → &span(chart_different){39};&br();(277)|64&br();(458 → &span(chart_different){459};)||
|~15|Break down|170-182&br();→ &span(chart_different){182};|23&br();(178)|35&br();(266 → &span(chart_different){272};)|59&br();(333 → &span(chart_different){339};)|REV.移植時もBPM変化なしに|
|~16|Hi|83|13 → &span(chart_different){19};&br();(132)|28 → &span(chart_different){30};&br();(173)|58&br();(286 → &span(chart_different){296};)||
|~17|Otherside|132|14 → &span(chart_different){19};&br();(143 → &span(chart_different){145};)|31 → &span(chart_different){35};&br();(206 → &span(chart_different){209};)|56 → &span(chart_different){58};&br();(318 → &span(chart_different){344};)||
|~18|Freak With Me|130|20 → &span(chart_different){22};&br();(171 → &span(chart_different){180};)|42&br();(332 → &span(chart_different){342};)|56 → &span(chart_different){65};&br();(390 → &span(chart_different){455};)||
|~19|未確認XX生命体|150|14 → &span(chart_different){19};&br();(143)|27 → &span(chart_different){31};&br();(223 → &span(chart_different){231};)|45 → &span(chart_different){54};&br();(341 → &span(chart_different){378};)||
|~20|Loveless|123|17 → &span(chart_different){23};&br();(162 → &span(chart_different){164};)|33 → &span(chart_different){38};&br();(294 → &span(chart_different){301};)|53 → &span(chart_different){60};&br();(406 → &span(chart_different){409};)||
|~21|Giant Killing|140|25&br;(177)|53&br();(339)|68 → &span(chart_different){71};&br();(481)||
|~22|The Epic|163|15 → &span(chart_different){17};&br();(149)|38 → &span(chart_different){40};&br();(283 → &span(chart_different){284};)|60&br();(419 → &span(chart_different){421};)||
|~23|Anomie|144|17 → &span(chart_different){20};&br();(187 → &span(chart_different){191};)|30 → &span(chart_different){36};&br();(240 → &span(chart_different){248};)|56 → &span(chart_different){61};&br();(315 → &span(chart_different){349};)||
|~24|Azitate|152|22 → &span(chart_different){24};&br();(204)|55&br();(329)|70&br();(536)||
|~25|Impact|138|21 → &span(chart_different){24};&br();(192)|60&br();(397)|72&br();(540)||
|~26|最後の1ページ|127|14 → &span(chart_different){19};&br();(154)|27 → &span(chart_different){31};&br();(240)|53 → &span(chart_different){57};&br();(318 → &span(chart_different){358};)||
|~27|Cross+Angel|166|21 → &span(chart_different){27};&br();(171 → &span(chart_different){178};)|51 → &span(chart_different){53};&br();(310 → &span(chart_different){319};)|67&br();(431 → &span(chart_different){457};)||
|~28|DAZZLING♡SEASON|180|35 → &span(chart_different){43};&br();(250)|62&br();(412)|80&br();(562)||
|~29|NEXT FRONTIER|150|42 → &span(chart_different){48};&br();(352 → &span(chart_different){363};)|65&br();(509 → &span(chart_different){513};)|82&br();(574)||
|~30|Azitate&br();(Prologue Edition)|152|20 → &span(chart_different){23};&br();(143)|52&br();(275)|61 → &span(chart_different){66};&br();(353 → &span(chart_different){377};)||
|~31|Landing on the moon&br();(Instrumental Version)|138|18 → &span(chart_different){20};&br();(140 → &span(chart_different){142};)|32 → &span(chart_different){34};&br();(211 → &span(chart_different){217};)|55 → &span(chart_different){59};&br();(306 → &span(chart_different){318};)||
|~32|DYNAMITE SENSATION|150|25 → &span(chart_different){26};&br();(176)|53 → &span(chart_different){54};&br();(276)|68&br();(388)||
|~33|DIAMOND SKIN|142|10&br();(73 → &span(chart_different){74};)|17 → &span(chart_different){26};&br();(109)|25 → &span(chart_different){33};&br();(187)||
|~34|everKrack|158|15 → &span(chart_different){18};&br();(172)|27 → &span(chart_different){29};&br();(204)|41&br();(355 → &span(chart_different){357};)||
|~35|誘惑|179|13 → &span(chart_different){15};&br();(132 → &span(chart_different){137};)|21 → &span(chart_different){26};&br();(189 → &span(chart_different){193};)|34 → &span(chart_different){43};&br();(254 → &span(chart_different){345};)||
|~36|JUSTICE [from] GUILTY|178|15&br();(110)|28&br();(183)|40 → &span(chart_different){50};&br();(300)||
|~37|Winter, again|114|14&br();(121)|18 → &span(chart_different){24};&br();(145 → &span(chart_different){161};)|37 → &span(chart_different){41};&br();(264 → &span(chart_different){284};)||
|~38|Eternally|88|12&br();(85)|18 → &span(chart_different){21};&br();(125)|33 → &span(chart_different){39};&br();(193)||
|~39|エアリアル|165|11 → &span(chart_different){12};&br();(63)|28&br();(149 → &span(chart_different){166};)|56&br();(389)||
|~40|What Is Wrong With The World&br();(Cross Edit)|172|20&br();(86)|41 → &span(chart_different){43};&br();(228)|64 → &span(chart_different){67};&br();(356)||
|~41|Re:Milky way|142|8 → &span(chart_different){13};&br();(77)|26&br();(192)|43 → &span(chart_different){46};&br();(317)||
|~42|Sundrop|150|24&br();(126)|45 → &span(chart_different){47};&br();(226)|73 → &span(chart_different){75};&br();(441)||
|~43|チルドレン・オートマトン&br();~ある歌声の亡霊~|170|24&br();(133)|41&br();(181)|57&br();(292)||
|~44|ツカイステ・デッドワールド|130|19 → &color(red){''21''};&br();(145)|44&br();(268 → &color(red){''276''};)|74&br();(504)||
|~44|ツカイステ・デッドワールド|130|19 → &span(chart_different){21};&br();(145)|44&br();(268 → &span(chart_different){276};)|74&br();(504)||
|~45|電脳少女は歌姫の夢を見るか?|240|29&br();(129)|57&br();(328)|76&br();(488)||
|~46|Reseed|201|20 → &color(red){''22''};&br();(122)|47&br();(254)|63&br();(450)||
|~47|ロマンシングゲーム|210|28&br();(221)|55&br();(379)|78 → &color(red){''81''};&br();(595)||
|~48|Another Chance|174|27&br();(132)|37&br();(195)|57 → &color(red){''73''};&br();(389 → &color(red){''519''};)||
|~49|HEADPHONE PARTY|152|23 → &color(red){''24''};&br();(141)|32&br();(217)|52&br();(372)||
|~50|Z[i]|185|28 → &color(red){''30''};&br();(171 → &color(red){''216''};)|45 → &color(red){''57''};&br();(227 → &color(red){''330''};)|86 → &color(red){''88''};&br();(542)||
|~46|Reseed|201|20 → &span(chart_different){22};&br();(122)|47&br();(254)|63&br();(450)||
|~47|ロマンシングゲーム|210|28&br();(221)|55&br();(379)|78 → &span(chart_different){81};&br();(595)||
|~48|Another Chance|174|27&br();(132)|37&br();(195)|57 → &span(chart_different){73};&br();(389 → &span(chart_different){519};)||
|~49|HEADPHONE PARTY|152|23 → &span(chart_different){24};&br();(141)|32&br();(217)|52&br();(372)||
|~50|Z[i]|185|28 → &span(chart_different){30};&br();(171 → &span(chart_different){216};)|45 → &span(chart_different){57};&br();(227 → &span(chart_different){330};)|86 → &span(chart_different){88};&br();(542)||


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